The brainstorm inspired by a question on the Xenharmonic Alliance, I decided to create a simple chorale where the scale tones are derived exclusively from wolf intervals: the wolf fifth with its extra syntonic comma, and the wolf octave with its Pythagorean comma. The result here, treating both commas as the same, as they’re only about 2 cents different, is pretty twangy, at least. Although, I note that it’s impossible to avoid some essentially ‘consonant’ intervals in spots.

Dissonant Chorale